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He set up a library in 1909, and a research institute in 1926 with the help of the Viennese art historian Fritz Saxl, who created “exhibitions” with photographic reproductions of art during World War I. Modern art was burgeoning at the time, but he continued to focus on art from the Italian Renaissance.
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In the 1890s, Warburg traveled through the American Southwest and witnessed rituals of the Pueblo and Navajo people, which made a lasting impression - especially a dance in which Native Americans dressed as antelopes, and a Hopi rite using live snakes. Born into a rich banking family in Hamburg, he completed his doctorate in 1892, writing on Sandro Botticelli’s paintings “ Birth of Venus” and “ Primavera” (“Spring”) from the 1480s. “Jew by blood, Hamburger at heart, Florentine in spirit,” is how he described himself. Warburg (1866-1929) was a curious character. It has now been postponed until the fall because of the pandemic, but some of its images can be viewed on the center’s website in a new book devoted to the “Mnemosyne Atlas,” published by Hatje Cantz and on the Warburg Institute’s webpage devoted to the atlas. Consisting of 63 panels composed of the 971 original illustrations from the last documented version of the atlas, in October 1929, the display would have been presented as Warburg had intended - for the first time. In this case, being able to play also involves playing with the tools required to understand it.The one exhibition I was most excited to see this year was “Aby Warburg: Bilderatlas Mnemosyne - The Original,” which was to open in March at the Haus der Kulturen der Welt contemporary arts center in Berlin, organized by Roberto Ohrt and Axel Heil in collaboration with the Warburg Institute in London. It has occurred to me that even practices can be considered play. For example, in Yoshiwara Higanbana, “smuggling” was translated as “committing adultery.” I only realized that characters were referring to smuggling because characters were talking about illegal goods.īecause the visual novel reader also makes you select the potion of the text that gets subtitled, I bet this will be tricker with some stat raising games like Glass Heart Princess, which I do intend to try after this.įor now, I’m just appreciating the work of the community. It is in this case where paying attention to a lot of context clues is important in deciphering what people say. Still, even with Yoshiwara Higanbana, where there are good English translations at the beginning, there is always the risk of running into weird sentences like what I saw in Princess Arthur.
VISUAL NOVEL READER ATLAS PC
More people have clearly done more work on PC games because the it’s easier. The tricky part is finding these older models.Īnd what I’ve noticed about the Princess Arthur PPSSPP one is that the subtitles look more rudimentary–relying heavily on machine translations. For one thing, one needs an older version of PPSSPP–the recommended versions are v0.9.9 and v0.9.8, but it seemed to work on v0.9.9.1.
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Using the visual novel reader for the PPSSPP is a bit trickier though. This is certainly a form of collective intelligence and participatory culture, especially in this case, one’s contribution gets transmitted to those who use it. to those who may want to expand their vocabulary. One could also get their notes like this one: What I like about this is that esp if one is online, one also gets other people’s translations. The first game I tried is Yoshiwara Higanbana, because it is a PC otoge that was recommended to me. Apart from the visual novel reader software, one also needs some machine translation tools such as ATLAS or LEC Power Translator (this is the one I have).
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Most the instructions are on Sakimichi’s site. Because this Phd project also involves getting to know the tools that many other fans use in getting access to visual novels and otoges, I’ve tried my hand at using the Visual Novel Reader.